Category Archives: Rock Music

Fleetwood Mac/Squeeze Jones Beach Theatre Tuesday, July 31, 1990

Fleetwood Mac played the Jones Beach Theatre in July of 1990 with the lineup that included Rick Vito and Billy Burnette replacing Lindsay Buckingham on guitars. The “Behind the Mask” tour would not be the last time Fleetwood Mac and Buckingham would have their differences, and I did get to see the iconic lineup perform a couple of times, to include the Classic East two day fest at Citifield, before the band shut it down for the foreseeable future at this point. I actually emerged myself in a two disc Fleetwood Mac greatest hits collection recently and reminded myself of the incredible musicianship and voluminous classic songs the band pushed out during the height of their popularity. The amount of legitimate hits on this compilation was kind of mind blowing; Fleetwood Mac were never one of my favorite acts but their songs dominated the radio airwaves for so long you might take what they have accomplished for granted. Squeeze opened the show making for a great double bill. Squeeze is right up there with Cheap Trick as being one of the consistently great opening acts for arena headliners through the years.

Skies the Limit

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GQ

Robert Plant/Alannah Myles Jones Beach Theatre Tuesday, July 17, 1990

My wife and I were on the right side up front against the Jones Beach Theatre stage for the July, 1990 Robert Plant “Manic Nirvana” concert. Smoke filled the stage and when Robert Plant started with “Watching You” off the latest album, then broke into “Nobody’s Fault But Mine”, I turned to her and said ”Now THAT’s a rock star”.

Tall Cool One

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GQ

Stevie Ray Vaughn/Joe Cocker Jones Beach Theatre Sunday, July 8, 1990

I specifically remember this Jones Beach Theatre show for a couple of reasons in particular.
First was I had initially purchased the tickets because I wanted to see the great Joe Cocker in concert; I had not appreciated yet at that time what an incredible talent Stevie Ray Vaughan was. When Joe Cocker hit the stage first I was a little shocked as I assumed he would be the headliner; this reminds me of when I saw Black Sabbath and Blue Oyster Cult at the Nassau Coliseum during the “Black & Blue” tour and Sabbath came on first (BOC was considered a Long Island “local” act and they got to headline on their home turf).

The second thing I remember was that when Stevie Ray Vaughan came on stage and broke into his first tune it got loud, so loud it was noticeable where we were sitting in the mid level mezzanine to the left of the stage. It was as if someone had thrown a switch and the volume was turned up to 11. It sort of reminded me of when I saw Aerosmith at the Nassau Coliseum and I was nearly knocked off of the orchestra folding chair I was standing on when the decibel level all of a sudden went way, way up in the middle of a Joe Perry guitar solo. Stevie Ray Vaughan and Joe Cocker was a great summertime double bill; I am glad I can say my wife and I were there almost 8 months after the birth of our baby girl (for forever I thought my wife was pregnant at this show but the timeline does not lie). While I would get the opportunity to catch Joe Cocker perform again, I would not get to see Stevie Ray Vaughan a second time as he tragically died in a helicopter crash not too long after this Jones Beach concert.

Pride and Joy

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GQ

Chicago/Flecktones Jones Beach Theatre Tuesday, July 3, 1990

It is 2022 and Chicago is still on tour; my wife’s favorite band is playing the Capitol Theatre in Port Chester in May and sheds all summer long with Brian Wilson opening (how Wilson is still touring at this point is beyond me; the last time I saw him perform at Westbury opening for Jeff Beck, Brian Wilson could barely navigate the stage). I have no particular recollection of this Chicago performance but they always manage to play all of the iconic fan favorites. I actually liked when they performed Chicago II in its entirety a couple of tours ago. The casual Chicago fans were unhappy but I loved that they dug a little deeper into the catalogue for a change. Long time guitarist Keith Howland recently left the band under a cloud but, if Chicago has proven anything through the years, theses road warriors will continue on until there are no original members left, and quite probably beyond.

Beginnings

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GQ

Rolling Stones Shea Stadium Wednesday, October 11, 1989

The Rolling Stones brought their Steel Wheels tour to Shea Stadium in October of 1989; it was a larger than life production and a New York City Queens happening. I grew up in Flushing, walking distance from Shea Stadium, and for The Rolling Stones to play the home of the New York Mets was a huge deal. I had managed to purchase a handful of seats on the field toward the back of the infield and the massive stage was impressive. The concert itself is a bit of a blur and I witnessed the end of show fireworks blasting over the top of the stadium as I walked across the Roosevelt Avenue Bridge and over the usually odorous Flushing Bay. After a stop at the Clam Bar by the 7 train entrance at Main Street and Roosevelt Avenue, I called it a night and headed home to my apartment in Fresh Meadows. My daughter would be born one month and a day later.

Rock And a Hard Place

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GQ

Neil Young/Maria McKee The Palladium Tuesday, September 5, 1989/Wednesday, September 6, 1989

Long before it was purchased by NYU for student housing, New York City’s Palladium located in downtown Manhattan was the rough and rowdy alter ego to what would become the Beacon Theatre as the preeminent 3000 plus seat concert hall venue. I attended two evenings with Maria McKee opening for Neil Young in September of 1989. I last saw Neil,with the Real, in Indianapolis before the pandemic hit which may have been his last headlining live performance for awhile (Young played Farm Aid after the Indy gig) as Neil has said he will not hit the road again until Covid is under control. As the new year approaches, and Covid once again surges, a Neil Young live performance does not seem likely at the moment, or any time soon, so in the meantime enjoy the NYA, “Barn” and the just dropped “Summer Songs” collection.

Hippie Dream

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GQ

Anderson, Bruford, Wakeman & Howe Jones Beach Theatre Thursday, August 10, 1989

Howe do you replace legendary Yes bass player and co-founder Chris Squier for this ABWH not-Yes tour? Tony Levin of King Crimson, Peter Gabriel and many other progressive rock bands and configurations played with Yes members on the self titled Collection of music then took his stick on the road with the band where I caught them at the Jones Beach Theatre in August, 1989. Yes was, and still is, one of my favorite bands of all time so to have them play the beach was an event for fans of progressive rock music. The talented group of musicians as constructed was a relatively short term project that lasted only from 1988 to 1990.

Brother of Mine

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GQ