All posts by eskimo5@optonline.net

Robin Trower/Eddie Money Suffolk Forum Saturday, 11/5/1977

The one and only time this Queens kid attended a show at the Suffolk Forum located in Suffolk County, Long Island was for a Robin Trower concert with a former New York City Police Officer Eddie Mahoney AKA Eddie Money opening.

The Suffolk Forum was a hockey arena with general admission on the floor. A friend from high school, Frank, a gentle giant, was up for taking a road trip and we found ourselves somewhat crushed in front of the stage for the solid double bill .

On its face, Eddie Money would seem to be an odd fit to open for Trower but one of the great things about 70’s rock shows was that you could catch disparate performers and expand your musical palate at affordable prices.

Somewhat recently, I caught Eddie Money at The Paramount in Huntington a couple of years ago. It was a lousy weather night and the venue was half filled making Mr. Mahoney a cranky front man that evening. Eddie is still working hard but was a shadow of his younger self making the show a melancholy affair.

For Robin Trower’s set at the low frills Suffolk Forum we were directly underneath the great guitarist who was one of several not quite Jimi Hendrix performers of the time (does anybody remember Frank Marino and the Mahogany Rush?).

Two Tickets to Paradise

Rock on

GQ

Aerosmith/Styx Nassau Coliseum 11/02/1977

The glory days of hard rock and roll brought Boston based Aerosmith to Long Island with Styx in tow.

My buddies and I eluded Coliseum security for what it was worth and found ourselves about ten rows from the left side of the stage. “Toys in the Attic” and ROCKS are all time great albums and Aerosmith opened their set with “Back in the Saddle”. We were standing on top of the folding chairs in the orchestra when someone evidently threw a switch and turned Joe Perry’s guitar up to ELEVEN.
With that, Perry’s guitar wall of sound knocked me straight back on my chair and nearly into the row behind us.
ROCK and ROLL!!!!

Aerosmith ROCKS

Rock on

GQ

Robin Trower/Derringer Radio City 10/17/1977

Radio City Music Hall is home to the World Famous Rockettes and the Radio City Christmas Spectacular.

Rick Derringer is one of those musicians that helped make the 1970’s a golden age of rock and roll. Rick was never considered a superstar act but “Rock and Roll Hoochie Koo” was his greatest and most recognizable hit and he had Edgar Winter’s White Trash on his resume so he had a level of name recognition and credibility amongst the rock and roll community.

The albums he produced with his band DERRINGER never sold big numbers but were solid basic rock and roll records popular to a small hard core audience.

The rock guitarist Robin Trower spent his early career with the great band Procol Harum and with solo efforts such as “Bridge of Sighs” and his outstanding LIVE album he developed a solid hard core fan base catapulting him to headliner status at venues like the historic Radio City Music Hall.

Robin Trower has had a long successful career and some of his best work was while later on playing with the late great Jack Bruce on bass. The excellent album B.L..T. had one of the more unusual covers you will ever see- a photograph of a bacon, lettuce, and tomato sandwich.

Tasty and Delicious

Rock On

GQ

Heart/Aztec TwoStep Central Park 8/22/1977

The Dr. Pepper Concerts at Central Park were a magical time; Woodstock for the 1970’s NYC rock and roll generation.

The Dr. Pepper sponsored concerts at Central Park’s Wollman Rink were primarily rock and roll shows at the outdoor venue where for the bargain basement price of $4.50 you could see some of the legendary acts of our time from the orchestra section or for $2.50 you could sit in the balcony or, if the show was sold out or you just did not want to spend the money that night, you could hang out on the rocks opposite the stage beyond the fence and listen to great live music for free with your friends in midtown Manhattan surrounded by the New York City skyline.

There has never been a concert series quite like it and it provided some of the great rock and roll of our lives.

The Heart show was one that we spent on the rocks taking in the atmosphere and just having a phenomenal time.
The Wilson sisters broke big with “Magic Man” and rocked out with some of best acts of that time.
While you could not actually see the stage from that vantage point it did not really matter ; the soon to be legendary venue was spread out in front of you and the sound was loud and clear for all to hear. Heart concluded their show with Led Zeppelin’s “Rock and Roll”; a fitting finish to the first of many nights to be spent at Central Park.

I had the opportunity to attend a Sirius satellite radio event featuring Heart some time before their recent Rock and Roll Hall of Fame Induction; the ladies looked healthy, fit and sounded great. Shortly thereafter, I then had the good fortune to catch their show
at The Paramount in Huntington. Some thirty five years after hearing Heart play live in Central Park they were still bringing the hard rock kick ass sound that set them apart from the girl fronted rock bands to follow.

Ann Wilson still has the pipes while Nancy provides the guitar and harmonies that make the band unique in rock and roll history.

Been a Long Time

Rock On

GQ

Yes/Donovan MSG 8/5//1977

Going to see Yes for the first time was a HUGE deal as all of my friends and I were PSYCHED; we were big fans of all things YES particularly YESSONGS the tour de force triple live album.

The “Going for the One” album had just been released and it was phenomenal; Rick Wakeman was in the fold for the tour making this a rock and roll EVENT! The excitement level on this night was as high as for any show that we had seen thus far. This was the beginning of a time when the music of Yes and their pretty regularly scheduled annual tour dates were yearly highlights. Yes’ popularity was evident in that tickets for their shows usually went on sale at least 9 months prior and they gave us all something to look forward to and get pumped up for throughout the year.

A poster with a yellow Yes logo and the five members of the band individually photographed in their prime could be seen prominently hanging on my wall for the better part of a decade; musical heroes then and now. The poster disappeared in my garage under mysterious circumstances that my wife denies having any knowledge of to this day.

I have to admit, I did not realize how cool it was to have seen Donovan open for Yes 1977 until Howard Stern’s 2014 Sirius radio interview. This dude has amazing stories, hung out with the Beatles, and has a mystical quality to this day that is hard to resist; a great musician who was inducted into the Rock and Roll Hall of Fame.

The “Going for the One” album is one of Yes’ best ever and the stage design resembled the album cover. Our view of the stage was midway up to the right and while the individual musical performances that night are a bit of a blur, I do know that we left the progressive rock masterpiece completely satisfied and ultimately hooked for life.

Wondrous Stories indeed

Rock On

GQ

Yes

Bad Company/Climax Blues Band MSG 7/31/1977

Bad Company and the Climax Blues Band was a real nice double bill.

The Climax Blues Band had a couple of radio hits that you knew which is always nice for an opening act.

The first Bad Co. album was still huge at the time and “Can’t Get Enough” was a big radio hit. Paul Rodgers is still a great vocalist and just recently played Town Hall supporting The Royal Sessions album.

The lasting memory from this particular Madison Square Garden concert however was not the actual musical performances but what was observed in the rafters during the show.

We were sitting opposite the stage about midway up during Bad Company’s set and up toward the left of us you could see that a fire had been started by some fans. The fire quickly grew to the point that at least one seat was fully engulfed in flames inside the Garden arena. Somehow no one seemed particularly fazed by this and the band played on.

The sky
Is burning

Rock On

GQ

No Bowie but Girls Keep Swinging

The TV Show with special guests that took place at City Winery last night was a blast. The legendary record producer Tony Visconti played bass and seemed to be having a great time chatting between playing selections from a career retrospective where he picked nineteen songs from what he said was 3000 to choose from going back to 1967 .The setlist that was heavy on Bowie and T. Rex tunes was overall great and Richard Barone handled the bulk of the lead vocals but the girls stole the show. The tall and lanky Larkin Grim handled the T. Rex lead vocals with an amazing unique vocal style that was mesmerizing and the petite dynamo Kiah Victoria with her wild hair and throwback fringed shirt and gold slacks blasted through songs like Bowie’s Boys Keep Swinging with a kick ass stage presence snd powerful vocal style that made me believe we were seeing a star in the making right before our eyes.

Tony Visconti made a point to plug all the band members’ various projects including Kiah,s upcoming Mercury Lounge gig which might be the first must see new artist “event” in 2015.

Suzanne Vega did a nice turn with The Man Who Sold the World.

Highlights of the show were Bowie’s Young Americans, Fashion, and Heroes and all the T. Rex tunes including an ensemble Bang a Gong encore.

Rock On

GQ

Tony Visconti at City Winery NYC Tonight

Legendary record producer Tony Visconti is performing a live retrospective of some of his work with T. Rex, David Bowie and others with special guests that include Suzanne Vega tonight at City Winery.

City Winery has become one of my favorite NYC venues of late with an eclectic lineup, table seating, great sight lines and excellent sound along with outstanding food and wines. City Winery is an intimate setting that reminds me of an upscale Bottom Line in NYC or My Father.s Place in Roslyn from back in the day. It’s a very civilized and relaxing place to enjoy some great music.

I’m always psyched for City Winery,
where I have already seen many great shows and acts like Ian Hunter and David Crosby, but I am particularly pumped for tonight because if David Bowie is ever going to make a cameo and come out of semi retirement from performing this could be the night.

A lad insane?

Perhaps but you never know.

Rock on!

GQ

Crosby, Stills, and Nash MSG 6/21/1977

Crosby, Stills and Nash still ranks as one of my all time favorite acts. I’ve seen the band in numerous combinations and incarnations through the years, with and without Neil Young, and they never disappoint. Not many bands can bring the acoustic and electric music with equal beauty, precision and intensity. Stephen Stills is hardly ever mentioned when the great rock guitarists are discussed but he ranks right up there with some of the best and he is under appreciated in that regard. The harmonies of David Crosby and Graham Nash, the unparalleled songwriting, the passion for music and civil activism all make the band members a fascinating ever evolving dynamic. To this day, songs like “Almost Cut My Hair” still provide chills.

While age and wear and tear have taken a bit of a toll on the elder statesman of rock, David Crosby’s voice remains as powerful as ever- a force of nature and a true gift as he proved once again that he still has chops with his latest solo album and a tour which landed at City Winery NYC.

Back in 1977, we left ourselves plenty of time to head in to Manhattan by subway to hang out before the CSN show as part of the MSG concert experience was bound to be all of the activity outside the building and we wanted to get in early. We jumped on the #7 train in Flushing, Queens to travel to Madison Square Garden for the highly anticipated concert expecting that a big night was in store.

Unfortunately our plans got somewhat derailed as the train stopped for an extended period mid trip and we found out that someone had decided to jump in front of a subway car on the train ahead of us. A crime scene was not something we could have anticipated and as the time passed we started to wonder if an apparently troubled soul was going to keep us from ever getting to the Garden that night. Troubled, maybe, but we had to admit that the thought crossed our minds that whoever it was could have been more considerate to the traveling public when choosing THIS night to take a tragic final leap. Fortunately we had enough beer to make the delay tolerable then at some point the train lurched forward and we began to move again. It was going to be close but we were going to make it! Our catastrophe was averted and our snapshot Woodstock moment with CSN would not be lost.

No one could have known then that any band could have the staying power so that I would eventually get to see the band IN Woodstock 37 years after the Madison Square Garden show. My wife and I drove to upstate NewYork this past July 5th to see the band at Bethel Woods- a beautiful outdoor venue with covered seating and a huge general admission lawn area . An added bonus to the trip was that Bethel Woods is home to the Woodstock Museum containing interesting artifacts, a movie about the event and historical perspective of the original Woodstock music festival that is different than any other- pretty cool stuff.

My wife’s Woodstock moment has always been being stuck in the legendary New York State Thruway traffic jam with her parents and sister on the way to an upstate family vacation.

Yes, she finally got to Woodstock.

Let Your Freak a Flag Fly
And Rock On

GQ

Lynyrd Skynyrd/Ted Nugent/Rough Diamond Nassau Coliseum 6/16/1977

Less than a week after the epic Led Zeppelin show at Madison Square Garden, we were off to see Lynyrd Skynyrd and Ted Nugent at the Nassau Coliseum on Long Island. Now I only knew how to get to Jones Beach and the Roosevelt Field mall from Queens and the police on Long Island had a reputation for being tough on long haired rockers. The half hour trip to Uniondale may as well have been a cross country trek. This was not the New York City we were familiar with and there was an element of danger as we traveled eastbound through the toll booths on the Southern State Parkway where we crossed over the Nassau/Queens border toward a new rock and roll adventure.

I have no recollection of the band Rough Diamond as they opened for the co-headliners.

On its surface teaming Lynyrd Skynyrd and the Motor City Madman on the same bill seemed like on odd match but they were on the same record label and it just worked somehow.  I had spent much of the past year cranking my homemade “Free For All” cassette on my boombox and one of the best singles that I had bought growing up was “Journey to the Center of the Mind” by the Amboy Dukes featuring the blistering guitar of Ted Nugent.

The original Lynyrd Skynyrd lineup was legendary and Ronnie Van  Zant was its heart and soul. Our vantage point was high and to the left of the stage with the white piano as a visual centerpiece.  Live “Freebird” was, and is, an all time classic and the Mr. Young mention on “Sweet Home Alabama’ is one of the great retorts of all time.

Later on, Ronnie Van Zant would wear a Neil Young ‘Tonight’s the Night” T-shirt on the cover of the ‘Street Survivors” album that showed the band members enveloped by flames; an album cover that was suddenly pulled from record store shelves and repackaged without the fire after the tragic plane crash that changed the Lynyrd Skynyrd dynamic forever. 

A few weeks later following the Coliseum show as we ventured back to Queens from a Nassau County rock club, we got lost driving through Valley Stream in the western part of Nassau County not to far from home base. The same “Free For All” cassette was blasting and we were having a great time driving around surburbia at night. We were lost and checked the local street signs as we drove to try and figure out where we were. We had lost our bearings and really had no idea even which direction we were heading but found ourselves on, of all places, Nugent Street- no joke. We were actually traveling on NUGENT STREET ! This was obviously a cosmic coincidence and action needed to be taken. We parked the car underneath the street sign and I stood on the car hood. Unbelievably I could reach the top of the sign post and the whole thing was held together with one bolt that was easily unscrewed. As I had just about dismantled the street sign, an angry older man came out of his house and yelled that he was going to call the dreaded Nassau County Police regarding our metal mischief. As the well intentioned resident ran towards us, I grabbed the rectangular white street sign with black trim and Nugent Street was now in our possession. Our car careened down the otherwise quiet street with headlights off so as not to have the railing square see the license plate and get us caught; the four of us elated traveled home with Ted providing the soundtrack to the fun.

I’ve always wanted to show the Motor City Madman the street sign and tell him the story of our well intentioned thievery in the name of rock and roll. The sign is still in my attic, along with a Fallout Shelter sign from an old apartment building in Queens.

New Year’s always reminds me of the Allman Brothers Band/Molly Hatchet concert at the Nassau Coliseum that took place on 12/31/1981; my future bride and I headed back home on the Northern State Parkway after the show and we saw a tall young man wearing a cardboard Happy New Year hat happily walking on the white line in the middle of the roadway. He seemed to be quite content strolling down the road as cars whizzed passed him at 50 MPH (or more) oblivious to his precarious situation. Here’s hoping everyone had a good time and got home safe last night.

Happy New Year

and Rock On

GQ